The ideas of multi-user environments, gaming, and file-sharing are vital to John Klima’s (b. 1965) software program Glasbead, (1999), a multi-user collaborative musical interface, tool and ‘toy’ that enables avid gamers to import sound documents and create a myriad of soundscapes. The interface contains a rotating, round constitution with stems that resemble hammers and bells. Sound documents may be imported into the bells and are caused by way of flinging the hammers into the bells. whereas Glasbead creates a contained international the place sounds and visuals increase one another, it permits as much as twenty avid gamers to remotely ‘jam’ with one another. The undertaking used to be encouraged by way of Hermann Hesse’s novel Das Glasperlenspiel (The Glassbead video game, released in English below the identify Magister Ludi), which applies the geometries of song to the development of synaesthetic microworlds. The participatory, networked construction of soundscapes can also be more and more explored by using moveable ‘instruments’. increasing his musical paintings into the world of nomadic units, Golan Levin (with 9 collaborators) created Telesymphony (2001), a functionality the place sounds have been generated through the choreographed ringing of the audience’s cellphones. The live performance came about on the Ars Electronica pageant in Linz in 2001. viewers individuals have been requested to sign up their cell quantity at a webkiosk ahead of the development and in go back acquired a price ticket which assigned them a seat within the live performance corridor. New ring tones have been immediately downloaded to their cell phones. for the reason that every one spectator on the live performance had a registered cellphone quantity, seat, and ring tone, the functionality itself will be accurately choreographed by way of the musicians/performers.
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