"For a long time, Lajos Egri's hugely opinionated yet very relaxing The paintings of Dramatic Writing has been a well-guarded mystery of playwrights, scriptwriters, and writers for tv. not like many different books on playwrighting (several of which Egri criticizes through the process this one), the author's systematic breakdown of the necessities for growing profitable sensible performs and screenplays successfully demystifies the method of artistic writing." --John Longenbaugh
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Additional info for The Art of Dramatic Writing
Kitty screams] inform me who it really is! KITTY: I won’t. PACKARD: inform me or I’ll holiday each bone on your physique! KITTY: I won’t! you could kill me and that i won’t! PACKARD: I’ll discover, I’ll—[Drops her wrist. ] Tina! Tina! KITTY: She don’t comprehend. [There is a second within which the 2 stand silent, awaiting the looks of Tina. There comes slowly into the door, and a step or into the room, a Tina, who, even with the expression of thinking about innocence on her face, has essentially been eavesdropping. She comes ahead in order that she stands among the 2 silent figures. ] PACKARD: Who’s been coming to this apartment? TINA: Huh? [In the subsequent, transition runs easily to shape. ] KITTY: You don’t be aware of, do you, Tina? PACKARD: close your face, you slut! [Turns back to Tina. ] you recognize, and you’re going to inform. What man’s been coming to this apartment? TINA: [A frantic shake of the top] I ain’t noticeable no one. PACKARD: [Grasps her shoulder. supplies her a bit shake] convinced you might have. Come on, who’s been right here? Who was once the following final week? Who was once the following while I went to Washington? TINA: Nobody—nobody—only the surgeon. PACKARD: No, no, I don’t suggest that. What man’s been coming the following in the back of my again? TINA: I ain’t noticeable a soul. KITTY: [Kills birds with one stone—he is jealous, yet he doesn't suspect the healthcare professional, the fellow Kitty loves] Hah! What did I let you know! PACKARD: [Looks at her as if looking for a manner of worming the reality out of her. makes a decision it really is hopeless. offers her a push towards the door] Get the hell out of right here. [Kitty stands ready to work out what flip occasions will take. Packard paces a step this manner and that. Wheels abruptly. ] I’ll divorce you. That’s what I’ll do. I’ll divorce you, and also you won’t get a cent. That’s the legislation for what you’ve performed. KITTY: You can’t end up whatever. You’ve acquired to end up it first. PACKARD: I’ll turn out it. I’ll get detectives to turn out it. They’ll music him down. I’d prefer to pay money for the fellow only once. How I’d prefer to get my arms round his neck. and that i will too. I’ll get him. I’ll kill him and I’ll throw you out like an alley cat. KITTY: Yeah? You’ll throw me out. good, prior to you throw me out you’d greater consider carefully. simply because me, I don’t need to get detectives to end up what I’ve acquired on you. PACKARD: You’ve bought not anything on me. KITTY: No? so that you are looking to visit Washington, do you? And be an immense shot, and inform the president the place to get off. you must cross in politics? [Her tone turns into savage. ] good, i do know approximately politics. and that i understand all concerning the crooked offers you bragged approximately. God understands i used to be bored stiff—the Thompson company, and gypping outdated guy Clarke, and now this Jordan factor. Skinning him out of his eyeteeth. while I inform approximately these it’ll increase a beautiful stink. Politics! You couldn’t get into politics. You couldn’t get in anyplace. You couldn’t get into the men’s room on the Astor. PACKARD: You snake, you. You toxic little rattlesnake. I’m via with you. I’ve acquired to visit this Ferncliffe dinner, yet after this night we’re via. and that i wouldn’t pass there with you other than that assembly Ferncliffe is extra vital to me than you're.